One of the joys of Twitter is clearing out useless, boring or unresponsive tweeters with Twit Clean (this is not an ad!). The service produces reports on tweeting performance.
Now, let's see. Annie Lennox: she's described as 'self-obsessed, talks about self more than 50% of the time.' She's also rated a 'Snob' because she follows back only 0.02% of her followers (c.72,000). Well she can go.
Radio One DJ Chris Moyles is also a Snob, only following back 82 of his 2.3 million fans. Other Snobs include Guardian Books, Jemima Khan (following back only 150 of 170,000 followers), Eminem (no interactions), the New Statesman (selling as few as 4,000 copies a week according to Guido Fawkes), Mariah Carey (following back just 58 of 7 million fans), Queen Rania, Telegraph writer Mary Riddell, Yvette Cooper (and she wants to be the next Labour leader), Donald Trump and TMZ.com.
Alas, Tatler is 'self-obsessed' and therefore 'not so interesting' (a pity because the magazine is now excellent).
Missing, presumed sedated, include Fern Britton who has posted nothing in 804 days; and Private Eye deputy editor Francis Wheen (who has a poorly back and his literary shed is now ash - fair excuses).
Wheen remains. Most of the rest - you've bored me long enough.
Showing posts with label Jemima Khan. Show all posts
Showing posts with label Jemima Khan. Show all posts
Wednesday, May 09, 2012
Monday, October 17, 2011
Chris Blackhurst: Is the Independent editor a bit of a cunty?
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| Jemima Khan |
A story in the Guardian today informs us that Jemima Khan has departed the Indy for the New Statesman and its sexy former mascara'd New Romantic editor Jason Cowley. Apparently, Jemima - who as guest-editor this year single-handedly reinvented the Staggers by showcasing Hugh Grant's espionage skills in the phone hacking scandal - was disinclined to tolerate de facto demotion and reduced column inches as decreed by Indy new editor Chris Blackhurst.
Troublingly, these saddening events were preceded by 'warm' praise for Khan from Mr Blackhurst.
This reminds me of the fate of Richard Ingrams. The former Indy columnist reported a reassuring lunch with Mr Blackhurst, but the pabulum had scarcely reached the ex-Private Eye editor's sigmoid colon and he learned that he had been dropped by the paper.
Now, we've all done it as editors. Not been entirely straight with contributors before the axe is swung, usually to get the publication through a tricky, holiday-strewn Christmas or mid-summer schedule. But Mr Blackhurst must beware of saying one thing and doing another: not only is the Indy supposed to be nicer than the rest of the Dacre-alikes but he is alienating luminous revengers. No one forgives surprise dismissal, constructive or otherwise, and the tentacles of tit-for-tat spite are without end, though I'm sure Mr Ingrams and the investigative Goldsmith plutocrat are honourable exceptions.
Mr Blackhurst didn't entirely do himself credit in the Johann Hari scandal, either: there he was on Newsnight gamely attributing Hari's mishaps to a lack of journalistic education while the viewing public scoffed on their sofas. I'm afraid even the rather pleasant face of Mr Blackhurst betrayed a little of his own inner-scoffer, as the smiles waxed and waned a little too readily.
It pains me to write this as the Indy has been so sweet about Madame Arcati in the past. Then again I always question face value, as we all should in these uncertain times.
Monday, July 11, 2011
Clemency Jopling and her erotic musings on Rupert Murdoch
| Clemency Jopling of yesteryear |
In dubious fulfilment of this promise, she naturally name-drops the less-than-nubile Madame Arcati in a posting on the Dignitas pin-up model Rupert Murdoch. Apparently I am a 'scarred and grizzled' veteran of Fleet Street - even if finding one wrinkle on my moist flesh would challenge the talents of the late hawk-eyed Helena Rubenstein - which I think may be misrepresenting my varied background. Like a humming bird I have dipped my beak in many a career bloom so that versatility is my key quality.
In her next work of fiction, she may wish to focus on a passionate liaison, that transgressively crosses the age divide, between an 80 year-old media mogul and his worshipful, flame-haired CEO, 40-something. The trauma of ED might be highlighted in graphic scenes of
Those unfamiliar with Clemency's oeuvre may wish to immerse - Amazon. Her titles include Mr Biddulph Sees a Ghost (The Erotic Adventures of Mr Biddulph) and Mrs Smith's Academy IV: Zuleika's Correction.
Wednesday, April 13, 2011
Celebrity power: Hugh Grant and Jemima Khan save the New Statesman
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| Jemima and Hugh save mag |
The mag now understands that celebrity power is its future, particularly since it is Stephen Fry who's leading the battle tweet (with a link to the mag that doesn't work). I tweeted first, natch. Also, countless people now know of the skulduggery at the Screws even though much of Hugh's nuggets are not new.
And all this occurred on guest editor and socialite Jemima Khan's watch. Frankly, if you haven't done a Hello! spread, just fuck off. Celebrities' low carbon spotlights make a spectacle of everything adjacent. NS ed Jason Cowley must stand down in favour of Jemima. Now. She can make him travel or beauty ed or whatever. Keep him 'appy, as they mispronounce in northern soaps.
BJ (Before Jemima), the NS squeaked. AJ, it roars. I do not recommend a BJ situation.
Now, it is true I ran a very rude piece about Jemima only the other day. But part of my function is to fill the sails of the zeitgeist so that we may journey forth. Suzanne Moore was right to highlight the total neglect of editorial low-class urchins without a job or famous parent. Jason was right to bring in Jemima. This paradox must not cause us sleepless nights. Jemima can be installed and she will hire more under-privileged urchins.
Problem solved.
PS My thanks to the New Statesman's Helen Lewis and Duncan Robinson for giving me the precise figure of Hugh Grant hits on the NS website: 'A lot'.
Tuesday, April 12, 2011
Hugh Grant, the former Screws hack and the haunted pub in Dover
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| The Castle Inn, Dover |
Priceless nuggets include Andy Coulson's alleged complicity in phone hacking, the PM's unhealthy proximity to Rupert Murdoch moll Rebekah Brooks (who, as one witty Arcatiste has pointed out to me, looks more like Robert Plant every day) and how Murdoch wickedly plays his multi-media games with celebrity pawns - the Nicole Kidman/Moulin Rouge! tale is a thing of beauty.
Grant travelled to the Dover pub/hotel McMullan runs, The Castle Inn, where all was revealed; and he generously encourages readers to pay the establishment a visit. It sits on the corner of Dolphin Lane and Russell Street. Click here to read about the colourful history of the 18th century coaching inn: it is of course haunted, and the medium Derek Acorah will want to know about the 'creaks, icy blasts and apparitions' should he ever be called in for a spot of exorcism.
I only mention all this because I want to see Mr McMullan safe and secure in his new business, out of harm's way and solvent. He is a very important source for future scholars of the worst scandal ever to hit British newspapers. Long may he thrive.
Saturday, April 09, 2011
Jemima Khan: Why is a rich, connected socialite guest editing the New Statesman?
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| Jemima Khan |
By this I assume she means: when will the left-wing organ open up the editorial floodgates to talents who are not the spawn of very famous rich families and/or international socialites with a lot of crawly friends? Suzanne speculates aloud whether Peaches Geldof might succeed Jemima (next time editor and former Durannie Jason Cowley fancies undertaking some Big Society work).
I must say Jemima wins the Madame Arcati Award for Self-Promotion. Just about every piece she either wrote or commissioned was pushed on Twitter - I adore the musk of ambition and cannot criticise the poppet. Thanks to Jemima we now know that Nick Clegg blubs to music; though student face-readers will have already discerned the moany cry-baby countenance in repose. In May he will be crying an awful lot, alas.
Now that Jemima has reminded us that non-editors tend to do a better job than editors as editors, may I suggest that Suzanne Moore be invited to guest edit an edition of the New Statesman in the not too distant future. Her brief reign would be a reminder of what this magazine once stood for - and exemplify the meritocracy Mr Clegg now espouses (without a mandate, natch).
PS Helen Lewis, assistant editor of the New Statesman, tweets me: 'Well, I worked with her [Jemima] on it, and thought she was lovely (and brought in great articles). You can quote me on that!'
PPS Another tweet: mailto:'tlcSW7@Madame_Arcati re guest ed "it was an ironic move in a week when the gov't announced an end to upaid internships for the rich"'
PPPS Suzanne Moore tweets: 'My issue with Jemima is not at [all] personal. She did a good job .It is entirely political. I want jobs to go to unemployed talents.'
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