Showing posts with label Gavin James Bower. Show all posts
Showing posts with label Gavin James Bower. Show all posts

Wednesday, September 28, 2011

Gavin James Bower interview: 'Big Society? Big fuck off and die'

Gavin James Bower
Gavin James Bower is back! Britain's best-looking male novelist, former runway supermodel and strategic tweeter has survived the forbidding hell of first novel acclaim (Dazed & Aroused - see labels for more) and just got on with the second. Made In Britain is a very different kind of fiction, urban grungy to the first's mannequin glam, which gets down with the post-industrial 'feral underclass' kids - the kind of hoodie urban cunties who back in August gave great copy by tearing down our cities in order to return animal sentience to certain vegetative newspaper columnists. As marketing ploy for Made In Britain, the riots should surely win Gavin's publishers Quartet a Campaign award for product placement prescience. Naturally, Madame Arcati was most keen to catch up with a man whose literary antennae miss no societal nook.....

Gavin, poppet. Such a joy to be interviewing you again! I have forgiven you for not attending Duncan Fallowell’s launch party for How To Disappear as my gossip-spy. I hear you went shopping instead. What did you buy?

GJB: I really should have gone. My shopping partner would attest to that. I spent a good hour looking at plaid flannel shirts, only to discover that every other man in London has at some point in the last twelve months done exactly the same. I've since ceremonially set fire to the bastard. (The shirt - not my shopping partner.)

Now, it’s been about two years since you published Dazed & Aroused and your new novel Made In Britain is just out - will it make me dilate the way your debut novel did?


GJB: I'd like nothing more. In fact, when my publisher and I plotted world takeover earlier this year, atop our white board of primary action items was 'Dilate Madame'. To carry on the conceit, it's a bit of a stretch from my first dip, the length feels just right - and, even though it's bittersweet, there is something of a happy ending. 

I gather - because I’ve not read it yet (except for a few pages on Amazon) - that Made In Britain dwells on the so-called teenage ‘feral underclass’ of Burnley - their drugs, dreams, dicks, etc. The August city riots couldn’t have been timed better! (Not that I’m saying….) Did you will the rioters on from your TV sofa? And while we’re on the subject, I think a few of the judges and magistrates got rather carried away with themselves, sending convicts off to the colonies and what have you - middle-aged baby-boomers with fat arses are quite brutal, aren’t they?

GJB: People on Twitter - middle class pseudo-journalists with nothing better to do than spray textual diarrhoea all over their iPhones - cheered these riots on, certainly, while the government couldn't get enough. Big Society? Big fuck off and die. Unaccountable though the powers that be may feel, the riots sharpened the discourse about the betrayal of former industrial towns and the working class, which is no bad thing - not just for my book, but for where I'm from and the people left behind.

How would you characterise the present coalition government of Old Etonians and multi-millionaires? Do they cause you to dilate?

GJB: They cause me to constrict; indeed, I've a sort of exacerbated constipation. I'm in rectal retrograde, Madame! The powerlessness that's characterised politics for a decade is starting to dissipate, while power's simultaneously becoming more concentrated - in, and at the hands of, the reactive and the reactionary. There's a perennial sense of déjà vu with capitalism - but nothing's inevitable, one way or the other.

Drugs appear to be a major contributory cause of social and psychic defeat in your novel. What’s to be done about urban chemical romances? And what do you do when you’re offered a line of coke at a party?

GJB: I needed a 'cool consultant' for my first novel, to help with the pills, lines and, even, fags (not that kind). I'm still the same 'clean cut lad' who was told by a mother of a friend at school, after I'd egged her house, that he's 'poison inside'.

I can’t imagine that you, a former celebrated runway model and feted novelist from a northern town, were ever feral or an underclass trog - perhaps you observed your peers from the sidelines and made notes….?

GJB: I needed to leave my home town and get distance from it before I wrote about growing up. I ended up taking ten years - from the point at which I started the book, to the age I was writing about. I went to a state comp, I didn't live far from where the riots were - and I did all the things normal working class kids do (play on the field, smash up derelict buildings, kick a football about when the factory finished). My experience of feeling awkward, like I didn't fit in - that's in all three characters. But the abuse, the drugs, the violence - that's all taken from somewhere else, albeit very close to home. Just not my home.

Gavin in a former life
Made In Britain has already received a very favourable reception. Sophie Waugh, the well known anarchist, gave it a rave in the Guardian, and I see my darling newspaper columnist Suzanne Moore has thrown a critical bouquet. How would you compare the reviews of the new book with those of Dazed &amp Aroused? Any cunt-critics we need to sort out?

GJB: I've had some criticisms - about the fine line the book treads between 'grown up' and YA, and about the leap in subject-matter - but yes so far the reaction's been good. It's a more ambitious book - but also more vulnerable to criticism. The first was premise and style, and a bit take it or leave it. This one's plot and good old fashioned tragedy. The stories and voices have to stand up. There'll always be cunt-critics, though I'm savvy to when it's straight criticism and when it's just personal.

Would you like Made In Britain to be made into a movie? If so, who should be director? Not Ken Loach I hope.

GJB: One criticism I had of the book early on was also a compliment; namely, that the book was very cinematic. So yes, I'd like to see that. Billy Walsh could direct - if he were a real person. Otherwise someone with a bigger chip on his shoulder than mine. Someone who gives a shit about the real consequences of post-industrialisation. Someone who can capture what it is that gives us our identity - as a town, and as a class. 'The next Vincent Gallo' would do, especially as he's retired.

Now Gavin, this wouldn’t be a Madame Arcati interview if we didn’t delve a little into your amatory life department. How many times have you had sex in the period between the two novels and with how many partners?

GJB: I had one girlfriend between the publication of Dazed and this summer. But now les paris sont ouverts.

And just so it’s on the record, I take it that the photograph that came in to my possession, of the headless man with a rather extravagant erection, is not you. Be honest, now.

GJB: You'd almost certainly be correct. Though I'd like nothing more to have my erection described as 'extravagant'. Well, after making Madame dilate.

I see you’re a Scorpio -  said to be unforgiving, among other things. Do you regard astrology and related divinatory practices as mumbo-jumbo? Put another way, how many drug-addicted astrologers and psychics do you know?

GJB: I value loyalty and am unforgiving, that's true. It's a one-strike policy with me. I lack faith, so it's hard for me to accept anything 'divinatory'. I only know you, but I'm rather glad to say so.

And finally, Gavin. Are you working on a third novel? If so, tell us more.

Lady Gaga or Claude Cahun,
 born 1894 (a Scorpio)? GJB is
writing about one or other
GJB: Book three's a non-fiction biography/polemic for Zero Books, on the surrealist artist Claude Cahun. Google her immediately, fall in love and, if you're anything like me, shave your head to get into character.

Gavin! Thank you so much for your time. And good luck with Made In Britain.

GJB: xxxx 

Made In Britain: To read an excerpt and buy a copy click here

Thursday, September 22, 2011

Duncan Fallowell: The night he took off with Muriel Belcher's crutches

Duncan Fallowell
Alas, I was unable to attend 'libertine' Duncan Fallowell's dazzling London launch party for his new travel book How To Disappear: A Memoir For Misfits the other day. And my appointed gossip-spy, model-turned-novelist Gavin James Bower, substituted retail therapy for promised mission - tsk. It's just as well I am forgiving. However, I learn from the London Evening Standard's Diary that 'an eclectic bunch of misfits, hedonists, socialites and the odd Zoroastrian' turned out and a fab time was had by all. (Click here to read the item]

The Diary, which seems to have lost nothing in the paper's transition from paid-for to freebie, relates an amusing tale told by one of the guests, art dealer James Birch. He 'recalled his first encounter with Fallowell, which left an indelible impression. “He went up to my father and asked if he was heterosexual. When he said he was, Duncan kissed him full on the lips. My father nearly fell off his chair.”'

Ah, yes, the event is recalled and I can tell more.

The encounter was at a large sit-down dinner at the Royal College of Art for the late artist and writer Dicky Chopping's retirement. Birch was indeed there with his father. Fallowell went with sometime lover and Britain's first transsexual, April Ashley; and unfortunately he got incredibly drunk. James Birch was wearing a fetching all-white suit and Fallowell pursued him all round the hall with a trembling glass of claret. Birch proved to be too quick for his pursuer - so Fallowell ran off with Muriel Belcher's crutches which she'd parked neatly beside her seat. This had never happened to her before. The filthy-mouthed Colony crone looked panic stricken - 'For God's sake stop that young man!' she wailed as he ran off out of the hall with them.

I am happy to report that when he gallantly returned them to her 10 minutes later she made him an honorary member of the Colony for bravery. And thereafter Fallowell was always called 'Young man' at the Colony, even after her death. Once or twice I heard Ian Board call him 'Young man' when he was 40 - er, some years past now.

Incidentally, in other matters, my friends in the book trade tell me How To Disappear: A Memoir For Misfits sold out before the launch - the warehouse cleaned out - but fortunately his canny publishers Ditto kept a couple of boxes in reserve for the party. They are now rushing to reprint.

To read my review of the book, click here. Worth reading (also!) is Byron Rogers' marvellously batty Spectator review. And to think, Byron used to write Prince Charles' speeches - 'Such big hands,' he is wont to say of his once royal master.

(PS: One minute [interview] with Duncan Fallowell in the Independent.)

Friday, June 11, 2010

A phwoar for blood and insurrection (almost) in Stoke Newington!

Report from the Stoke Newington Literary Festival, starring Farah Damji, Darcus Howe, Diane Abbott, Suzanne Moore and Gavin James Bower

In rainy Stoke Newington last Saturday, black and white did not make a murky shade of grey. Farah Damji was there to talk about her book Try Me, which Frances Lynn (shortly to be interviewed on Madame Arcati) has described as "gripping, unputdownable and explosive", and the con of multiculturalism with a little help from her mate Darcus Howe.

We didn't really get enough of Farah on the book which earned her the title "London's Most Dangerous Woman". Darcus Howe held forth about that subject most dear to his darkened Black Panther heart, racism and multiculturalism.

There was a standing room only situation at the event which had been heaviliy oversubscribed. Present in the audience were the Mail on Sunday's fragrant Suzanne Moore and the not-so-lovely Labour leader contender Diane Abbott. Political watchers will know that Darcus dissed Suzanne and favoured Diane in the recent by-elections at which Suzanne dared to stand against the rolly incumbent.

There was a fraught moment which made even the novelist and notoriously smooth Gavin James Bower look a little anxious when Suzanne asked why her children, when they were in nursery school, should be made to learn Black History at the expense of other important events. Farah agreed and said she supported a transcultural historical curriculum. But Darcus said that the Black History fight was won after tears, blood and riots in the streets: in one case he was even falsely accused by the London Evening Standard of congratulating rioters for smashing open a policeman's head.

It should be noted that Abbott fought for supplementary schools and Darcus has been a long term supporter of her politics and attacked Suzanne personally before even meeting her. The argument was to study St Patrick as well as Malcolm X. Darcus rolled his eyes and the luvvies of Stoke Newington let out a collective roar, or was it a phwoar, at the scent of blood and the sight of insurrection.

Since we have Black History Month (October in the UK) please can we also have Pink Faggot Month, Asian Hottie of the Month and My Favourite Fascist Month, please? Candidates may self-nominate on the back of a £50 note and send here...

To buy a copy of Farah Damji's Try Me, click here

Wednesday, February 03, 2010

Dapper Dicks: The penis gets the Barbie treatment

The first thing I heard today was the president of Mattel telling me that Barbie was aspirational and about to embark on her 125th career. Then this afternoon I popped over to the site of the world's handsomest novelist, Gavin James Bower. His latest post is about Dapper Dicks, a company that designs clothes for the penis. Barbie and Dapper Dicks made for a nice synchronicity. Let's dress up our playthings.

Dapper Dicks have all sorts of looks for the phallus: the piratical, the dandiacal. The fireman. And others. I quite like the pinstripe suit. Jackets can accommodate a 7" girth. Hats are available. "Dapper wear must be removed prior to intercourse," we are warned. I suppose some people need to be told this.

I utterly applaud this sartorial initiative. For too long the penis has been a synonym for stupidity: we speak of dickheads and people talking cock. So-'n'-so is such a knob. Now's the chance to rebrand a much maligned tool and give it a good styling, like popping Vinnie Jones into a Brooks Brothers. In time we may see Anna Wintour in the front row at Dapper Dicks runway shows. Anything's possible.

Thursday, August 27, 2009

Gavin James Bower: Nice bod, what about the novel?


Gavin James Bower

Gavin James Bower is helping to sex-up the world of letters with his debut novel Dazed & Aroused. Its themes and terrain - fashion, vacuity, coke, superficiality, runways, Kate Moss - resonate nicely as Bret Easton Ellis generational updates while playing shrewdly on universal media preoccupations. The PR mega-plus - that he himself is a former high fashion runway model and looks it - must have caused a ripple to pass along Quartet publisher Naim Attallah's perineum: beauty and literariness is a romantic and potent mix in the world of Snipcock & Tweed. It may spell profit but mostly it promises psycho-dramatic glamour.

If you can't find it then invent it - hence Katie Price.

All this may seem most unfair on Gavin. He has after all written a novel, and one that's enchanted a few critics by all accounts. There is a grave suspicion he can write and tell tales. I put it like that because I cannot be certain I shall ever read Dazed & Aroused.

Like most people these days I hardly ever read fiction. You read the reviews and author interviews and perhaps the chapter excerpts on Amazon (if any). You ask people at parties about the author in question and the troops at the front (the "readers") spoon feed you a view. That view then gets repeated by you until it becomes a quotation in a review of the author's subsequent work. Copies may be sold but how many get read cover-to-cover?

I stopped reading modern (literary) fiction when I realised I was more intelligent than most novelists, knew more about life than they do, wrote better than most of them, was blessed with greater human insight, didn't need to kill time and have found more productive ways of getting through the day, and tend to mentally rewrite (improve) the work-in-hand as I go along . Most of the people I know who read modern fiction tend to fall into one of the following:

1. Professional reader
2. Unread
3. Depressed
4. Aspiring novelist
5. Fan

There's nothing wrong with any one of the above. But it's as well to know your market. I think Gavin will do very well. I am happy to tell you that I think his novel is probably quite entertaining, judging by the reviews. Being gorgeous-looking is no literary demerit - F Scott Fitzgerald looked fuckable in his prime - a great many novelists share a certain pulchritude up to the age of 31. Please feel free to use my hearsay in future reviews of Gavin's work. Here, I'll give you a quote: "The British heir to Bret Easton Ellis".

Interview with Gavin
Buy it if you dare
Gavin's blog