Showing posts with label Molly Parkin. Show all posts
Showing posts with label Molly Parkin. Show all posts

Sunday, November 23, 2014

Molly Parkin on sale - at Selfridges!


Selfridges' Bright Old Things. Molly Parkin, far right
(Click pic to enlarge)

I've always thought my darling fiancee Molly Parkin should be in a shop window on permanent display. Now a dream is turned to reality. In the New Year, Selfridges launches a "concept" (ie a PR project) called Bright Old Things - or BOT for short. I love a BOT. It involves a load of talents showing off something in a Selfridges window on Oxford Street - and among this lot of BOT is Moll. Each of the participants (ranging in age from late 40s to 80s) has enjoyed some kind of renaissance or career turn in middle to late life.

You'll be able to buy BOT products (Moll's paintings, for instance) in store. But what precisely Moll will be doing I'm not sure. My current understanding is that she may sit in a window and cause traffic jams as millions of people pass by, gawping at her as she paints. It's hard to imagine that this is possible yet what else can one think? Or perhaps Moll will be seated in her own in store pagoda - I just hope a price tag is not attached to her. In which case she might be bought by some Qatari squillionairess and never seen again. What a tragic outcome that would be.

Anyway, keep your eyes on Selfridges, poppets.

Wednesday, October 01, 2014

Sarah Jane Morris sings Molly Parkin's 'Sally'

Sarah Jane Morris singing 'Sister Sally and Me'. Lyrics by Molly Parkin. Music by Simon Wallace. Filmed by Robert Chilcott. Total bliss - and a taste of things to come from the album, the stage show and the multi-media movie experience. You can see Moll in the video relishing Sarah Jane's stunning performance.


Sunday, September 28, 2014

Molly Parkin: Art, cock and lyrics inspire jazz videos

Poppets, it's been too long! I return armed with two gorgeous jazz videos inspired by the sensual and erotic art (and lyrics) of Molly Parkin. Chelsea Hotel Orgy will doubtless prompt post-Christian atheistic beards who work for Google to try to close down this site (not for the first time) - and to expedite this process, may I draw attention to the depictions of massive cock. So Long At The Party is a little tamer and features the fabulous voice and person of Ian Shaw against the backdrop of Parkinalia. I just made up that word. Am I not the cleverest?

So, sit back, poor a drink, forget about Strictly and X Factor. And wallow in another world.

Chelsea Hotel Orgy (Wallace & Parkin feat, Alan Barnes)
Paintings and drawings by Molly Parkin including ‘Chelsea Hotel Orgy’ and ‘Las Vegas Lay’ which were used as the starting point for an improvised blues by Alan Barnes (tenor sax) and Simon Wallace (piano). The video includes preliminary sketches of the featured paintings.



So Long At The Party (Wallace & Parkin feat. Ian Shaw)
Lyrics and paintings by Molly Parkin, sung by the brilliant Ian Shaw with Alan Barnes on clarinet.

Tuesday, August 26, 2014

Andrew Logan's Alternative Miss World 2014 - be a sponsor!



Poppets, if you wish to do your bit to create yet further confusion in the minds of literalists, fascists and UKIP, do make a financial contribution to Andrew Logan's Alternative Miss World, to be held in London in October.

Was it really five years ago that Madame Arcati attended the 2009 Alternative Miss World? Read all about it here. "Is that a vagina?" co-host Ruby wax wondered aloud as yet another drag interpretation wafted past her. Personal transformation is one of the major themes of our time and I cannot think of a more exotic event than Andrew's for bringing to life the full spectrum of artistic cross-dressing (or whatever the latest term may have been assigned).

I won't go on as I'm busy. But do visit this page and read all about the history of Alternative Miss World and how you can play your part in the furtherance of sartorial and cosmetic art.

Isn't it time Andrew Logan had a knighthood? I hope they don't keep him waiting as they did my delightful friend Sir Christopher Lee.

Andrew Logan's Alternative Miss World will be held at Shakespeare's Globe on October 18, 2014.

Sunday, July 13, 2014

Molly Parkin's Sequinned Relic show a hit - but will it overturn Irish ban?

Molly Parkin & Andrew Logan at
Vout-O-Reenee's
Molly Parkin's return to the stage last night was an overwhelming success. Perfectly set at daughter Sophie's fab London E1 club Vout-O-Reenee's, the show - titled X-Rated Ruminations of a Sequinned Relic - wowed a full house. Among the audience ( I almost want to say congregation) was darling Andrew Logan whose Alternative Miss World returns this October. I'll have more to say about that shortly - meantime, do read my review of his 2009 extravaganza.

It was a mere 28 years ago that Moll last did stand-up - though she might not describe her show as such. So wild and gorgeous was she then that she got herself banned from Ireland - "I think I still am," she tells me. May I suggest to our friends over there that Moll, 82, be forgiven for whatever indiscretion(s) she committed. In all likelihood, most of the audience of that time have either passed away or are queuing up for assisted suicide now that it's fashionable not to suffer any more prior to death.

Certainly, Ruminations covers life's gamut of experience. It includes Moll's poem Viagra (read here - but beware David Beckham's cock. I know how sensitive some of you are; never having got out) as well as a reminiscence about a steel ladder she purchased in order to expedite her passage up the astral tunnel, prematurely, via the Thames. Moll's genius is talk and her magical ability to convert the daily humdrum into the sublimely comic. And she does it without telling one joke. It just comes natch. Her Ruminations show will be touring parts of the UK (and Ireland?) so keep a beady eye on your local ents listings when you can quite tear yourself away from regional coverage of the church fete or magistrate's court.

Moll and I are now permanently engaged once again - and she has a ring from Venice to prove it. Quite what that means in your world is frankly none of your business but ours. And stay in touch with Moll on Facebook.

Thursday, July 10, 2014

Molly Parkin: Return of the X-Rated 'Sequinned Relic'

My gorgeous former permanent fiancee Molly Parkin is about to unleash herself on a public grown flabby on TV tat. On Saturday, July 12, she returns to the stage with her new stand-up show, X-Rated Ruminations of a Sequinned Relic. Her comeback previews at daughter Sophie Parkin's great new club Vout-O-Reenee's in London's E1.

Here's the foreplay: "Wisdom poetry Filth poetry Laughter poetry Glamour tears of joy - a celebration of life aged 82. £10 includes glass of wine or soft drink." You don't have to be a club member for entry on this occasion.

She tells me that the show will be quite salty - "I added 'X-Rated' to the title to keep kids away and prepare the audience for some surprises." Sequinned Relic is already being booked by various venues around the UK - so keep eyes peeled, poppets.

To get to Vout, here's the link. There's also the club's Sequinned Relic Facebook page here.

Saturday, June 14, 2014

Molly Parkin: Is she an outsider or an insider-outsider or an aparter?

Molly Parkin
Photo by Anthony Lycett
My darling Molly Parkin is featured in the Guardian today in a series called The Outsiders. I'm not quite sure what an outsider is really. Certainly this tribe does not include marginal sociopaths who've done little with their lives, or "loners" whose existential lonesomeness is frequently cited as reason in itself for demonisation or witch-hunts or criminal suspicion or posthumous besmirchment. So perhaps the series title should be: Insider Outsiders. It surely celebrates the people who belong but who somehow stand apart. The Aparters could be a much better series title. Madame Arcati only seeks greater precision beyond the slack-brained come-ons of newspapers.

That said it's an entertaining encounter between legend and young fan (Clive Martin). As I write there are four reader comments, two of which have been excluded on the grounds of breaching "community standards"; and the third sends up the community standards message. So, 75% of the current reaction is blighted by over-eager censors. Which reminds me. A little while ago I attempted to post a comment beneath an item in the Guardian on the Telegraph's editor-in-chief  Jason Seiken. I simply pointed out that Mr S's birth details are unknown; and would someone supply because I wished to cast his horoscope. Oh dear! Some underpaid hireling imagined I had breached community standards and in consequence cast my innocent message out.

It is an irony that a piece about a wild spirited bohemian outsider is managed by corporate disciplinarians. Yes, my love affair with the Guardian ended some time ago, I'm afraid. Alas, the Guardian is no more a guardian of free speech than Pravda or the Sun. 

In other news, Clive's interview with Moll appears on the day we learn that pink-haired Zandra Rhodes is made a dame in the Queen's Birthday Honours. This is certainly a lot more deserving than the honorary damehood awarded to Angelina Jolie - has she been successful in her laudable campaigns against sexual war violence? Yes, if judged by the mass of media photo ops of a statuesque beauty in battle war zones standing by the side of William Hague. Perhaps we can agree that "Dame Molly Parkin" certainly has a very definite ring to it, now that we know that HMQ has the most excellent taste in fashion and style. That would be most deserving.

Finally, it is Clive's youth (or conformity) that must cause him to express a degree of embarrassment in drawing attention to Moll's "outrageous" sex life, because she's 82. In this day and age I don't think advanced years is reason not to reflect on past or even current amatory activity. I wholly encourage young writers to put aside their Mumsnet attitudes and accept that while there's breath in the body there's probably a hormone or two as well. Let's leave the measuring-speak to undertakers.

You can read Moll's interview - and all about her current projects - here.

Saturday, May 31, 2014

Ruminations of a Sequined Relic: a new poem by Molly Parkin

I LOST MY LOOKS AT 82
AND TURNED INTO A CRONE
REFLECTED IN MY MIRROR
WAS A FACE I'D NEVER KNOWN

I SHAVED MY HEAD AT 82
SOWING THERE BRIGHT SILVER HAIR
I DUMPED MASCARA, LIPSTICK-PAINT
THE END RESULT WAS QUAINT RESTRAINT

HARSH ARTIFICE, MASKED-GLAMOUR GONE
REPLACED BY SMILING EYES THAT SHONE
WITH KIND CONCERN, AND NOW PRONOUNCE
 A FRIENDLY, GENEROUS COUNTENANCE

I'D NEVER REALISED BEFORE
THAT THERE ARE DIFFERENT TREATS IN STORE
LIFE BRINGS US GIFTS, THE SPIRIT LIFTS
US HIGH ABOVE WHAT WE'VE ONCE BEEN
WHILST OFFERING A SWEETER DREAM

molly parkin 2014

Sunday, May 25, 2014

Imelda Marcos musical to party at Vout-O-Reenee's!

Molly Parkin cuts Vout's umbilical cord with 'birth-mother' Sophie Parkin (in fuschia, darling) to our right
Even the suits among you know the truth. That I know better. So, trust me. I sense your sexual excitement.

I am therefore delighted to welcome a new club of joy and culture to the London biosphere, launched on May 15. It is called Vout-O-Reenee's and thank God it's in London's Shoreditch and not adjacent to the media whorehouses of Soho and their parasite bar mirror gawpers. Its mother is Sophie Parkin, a Gemini woman of nonpareil good taste and unforgiving insult - and frankly the kind of robust soul required to found and steer such an establishment, dedicated to the artist, the iconoclast, the maverick - in short, to someone who is fresh of flesh yet able to settle her or his bar bill. The Chelsea Arts Club (aka The Old Cunties' Convalescent Home - commodes available on request) must be spitting. They missed a trick when they passed on Sophie.
Muriel Sophie Parkin invites you to party

But don't just believe me. I learn that the very best are flocking to Vout to celebrate the lucrative expressions of their life force. In September, for instance, it is the chosen venue of the after-party for the Fatboy Slim/David Byrne Imelda Marcos disco musical, Here Lies Love. Dubbed a 'poperetta', it opened to rave reviews in New York in 2013. It is the London theatre event of 2014 - and I am delighted that its creatives will celebrate inevitable glory at Vout's. Only the best shoes will be admitted.

I understand that Here Lies Love - created by Talking Heads' icon Byrne and superstar DJ Slim - opens the National Theatre's newly named Dorfman Theatre in the autumn.

See you there, dearies.

For Vout membership details, email: info@vout-o-reenees.co.uk. 07753702910. 30 Prescot St, London E1 8AZ

Tuesday, August 06, 2013

Eric Joyce MP portrait - and an odd Knight tale

Sketch of Eric Joyce MP. By  M.K. Hajdin. Reproduced by kind permission
Arcatistes of old will know that I love to showcase the work of original artists. So allow me to introduce you to M. K. Hajdin who, as you can see, sketched the lively MP for Falkirk, Eric Joyce. She tells me that she planned to do a whole series of portraits of MPs. But got stuck at Labour's Shadow Health Secretary Andy Burnham for some reason. Mr Burnham has a pretty little face - perhaps M.K. found it too regular, or something.

I should say there appears to be an odd history to Eric's portrait which has involved his girlfriend, India Knight, the Sunday Times columnist. Because Madame Arcati dislikes unpleasantness, all I can do is refer you to M.K's site, Exiled Stardust. Seemingly, India has written M.K. an email. It begins: "Hello M.K Hadjin, it’s Eric’s partner here. My name is India Knight. I read your Twitter account with increasing alarm. Obviously you’re both not well and horribly lonely. You’re also boring. I have more than once suggested that Eric take out a restraining order, but he seems to pity you."

Did India really write that? It seems incredible.Perhaps all those deplorable Twitter bomb threats have got to her. Or the letter was written by someone else. But, still. Let's pass over this unfortunate episode and enjoy M.K.'s work.

PS The London Evening Standard has followed up this story - here.

Tuesday, July 30, 2013

Amanda Eliasch: Fame, movie acclaim and cakes of sperm

Amanda Eliasch
I like my weirdos glam and clever. Weirdo? A person who manifests her or his organic interior in a fascinating, creative, non-homicidal way. This blog is peopled with natural weirdos - and now that I am back for a while, I've just noticed another one to add to the galère. 

Her name is Amanda Eliasch.

She's been under my nose for quite a while. Ages back she said I was her favourite blog (well, you won't confuse this site with anything by Toby Young) and I peeped at her biog and saw she is a photographer, and peripatetic fashion editor of Genlux Magazine in LA. She seems highly proactive. Always white-teeth smiling. And blonde. (Sort of sleb-ish herself - I mean, your average magazine person is pure subfusc with sniffs.) And about 25. Now I read she's 53 (Taurus - luxury lovers). For me, this is perfection. I cannot abide authentic youth. I will not have them in the house - except my new friend Lyndsy Spence (see interview here). There is nothing more vile than a human being in evolutionary transit who's dreaming over your shoulder. Why should I be bothered with this sort of fate-harlot?

But 53 is arrival time. 53 is about right.

Then recently I noticed Nicky Haslam ('Oh God, not him again!') pushing his latest heterosexuality-celebrating album of song, Midnight Matinee. And one of the tracks is called Amanda written by Amanda Eliasch. She assures me on Facebook that it is her voice. She sounds like a heavenly choirboy approaching the cusp of his first wet dream. Here listen (it's track 16 for a sample).

Recently, I noticed something about a movie. It's called The Gun, The Cake and the Butterfly. She wrote it, directed it and stars in it. This is auteurism at its most extreme. Don't call her Orson! She's won an award for it. I've not seen it. But apparently it's about her awfully glitzy, stars-strewn life. I am assured she has never had sex with Boris Johnson. But I believe she may have gone all the way with Sir Tim Rice. Lord Lloyd Webber will be well jel. At some point in her life she baked a cake containing the sperm of two fuckees. Well, that's what it says here.

Oh, here's the film trailer. I have a feeling I may say more about amazing Amanda.


Tuesday, December 18, 2012

Molly Parkin reinvention at 80: Welcome to her blue period


Molly Parkin by Rankin
Hair by John Vial and Tracy Hayes at Fudge
Ponystep magazine
I may be her permanent fiancee but even I exclaimed (yes, I'm not usually an exclaimer; but exclaimed is the correct word): 'Who dat?'

This vision of the creative reinvention of Molly Parkin appears in the latest (4th) edition of the biannual fabulous fashion magazine Ponystep. To buy a copy or a subscription, click here. Its war against the apostrophe (by refusing to acknowledge its existence) will surely secure the affections of a generation.

 Moll's decision to ditch the turban is a bit like hearing of the split of Brad and Jen or Depp and that French singer whose name forever slips from memory's talon. I didn't think it possible. But there you go. Just proves once again that you can spot a prehistoric bug in amber, but not a living, breathing duo.

Accompanying Rankin's gorgeous portrait is an interview with Moll by the magazine's editor Richard Mortimer. I cannot commend it enough. Among other things she talks about our unique relationship. No, I'm not going to quote. Treat yourself to an orgy of celebrities beautified or beauties celebrated.

And while I'm here, there's still time to gift Molly's re-issued erotic novel Love All to anyone in your life in need of comic Viagra this Christmush. Click here to buy the e-book - it's only £1.66 for fuck's sake. Or, as Ponystep would put it, for fucks sake.

Tuesday, December 04, 2012

Roger Lewis at Christmas: Lesbian porn sites and Richard Ingrams

Roger Lewis
Such a delightful change from the usual death threats etc in the post to receive a Christmas card from premier Arcatiste (and Neptunian), Roger Lewis. Not just a card, but a letter. And not just a letter, but his monthly diary of 2012!

'I was concentrating very hard on a lesbian porn site when Richard Ingrams phoned and asked me to go to the Cheltenham Literary festival,' he writes for October. 'I was to represent the Oldie Magazine. My fee was £150....'

I'm afraid Mr Ingrams is off my Christmas card list ever since he failed to invite my permanent fiancee Molly Parkin to an Oldie party a few months back. I'm sure she won't mind me telling you that she'd met him at an Oldie literary munch-up and - well, I'd better not say too much. Suffice to say that someone's domestic problems (not Ingrams' I hasten to add) intruded. Crash, bang, wallop, hospital! I know what I know. And mean.

But back to Roger's wonderfully amusing letter - I do hope a newspaper prints it in its festive edition. Much better than one Christmas tradition I cannot abide - the cunting festive short story: if you laid out all the unread pages of newspaper Yuletide short stories end-to-end, you'd end up with the largest litter tray ever, fit for for all the pussies in Brobdingnag. For an example click here.

Roger informs one and all that though he has yet to sell his gorgeous Grade II-Listed Georgian gentilhommiere in Herefordshire (if you wish to buy, click here), he and family have moved into a charming terraced house in Rochester. And a September entry reveals that plans are afoot to turn his hysterical Seasonal Suicide Notes into a West End extravaganza. Alas, to play Roger, producers wish to cast Richard Griffiths who is '20 years older than me and weighs half a ton.'

Well, the less than beauteous Margaret Rutherford played me once and she did me no harm. That I know of.

There's still time to buy a Roger Lewis classic read - Amazon's page dedicated to his comic work is all you need visit. Click here.

Friday, October 19, 2012

Molly Parkin: Erotic novel Love: All re-released - and then there's the movie!

Available at just £1.99
Style icon, artist and poet Molly Parkin has just re-released her huge 70s global bestselling erotic novel Love: All in kindle. Lovely portrait on the cover - she was 37 then and pregnant - 'That gave me a glow,' she tells me. 

The book can be bought for just £1.99 here.

Her publisher Piers Dudgeon (of Pilot Productions) has penned a wonderful foreword and afterword on Moll - and delicately plays down the TLS's excoriating denunciation of Love: All in 1974. 'Utterly lacking in style, wit and intelligence,' wrote some sad, forgotten reviewer before cataloguing the novel's literary sexual offences, which included a half rape by a homosexual and the enlargement of the heroine Myopia's anus by a French restaurateur.

Her then publisher Star was so delighted that the review was used to advertise the work. 'This led to massive sales as the "critique" - or rancid attack as I prefer to call it - just about described the entire plot and sexual shenanigans,' Moll says. 'It was my very first review and the chap (I assume) truly went to town.


'Love: All will soon be made into a film thanks in part to that TLS fuck-wit - if he is reading this, if he and his withered scrotum are still alive, having survived my own literary success, he's a cunt.'

The Love: All movie is now well in development. Robert Chilcott is directing. And Moll reveals that the hunt is on for the perfect unknown to play wantonly ambitious Myopia - 'The nationwide search will be like Selznick's quest for his Scarlett in Gone with the Wind,' adds Moll. 'No blondes or brown eyes need apply!

Former CPS lawyer Clifford Allison
 plays Myopia's father in Love: All
''Myopia must look a bit like me. Love: All will have an improvisational quality - sort of Warhol-meets-Woody Allen-meets Mike Leigh.' 

A contact address for aspiring Myopias will be published shortly.

Biba legend Barbara Hulanicki is designing the costumes; performance artist/sculptor and jewellery-maker Andrew Logan (founder of Alternative Miss World) is attached to the project as is celebrated artist Julie Verhoeven as creative designer. Musical director is the awesome composer and pianist Simon Wallace (whose musical TV credits include Ab Fab, French and Saunders and the Ruby Wax Show; and he collaborated with US lyricist Fran Landesman until her death in 2011). And not forgetting ex-lawyer Clifford Allison, formerly of the Crown Prosecution Service's Special Crime Division (now a nude model) - he will play Myopia's father.

Moll explains: 'Clifford is brilliantly witty and he will appear naked in the film - Myopia fellates her father.' 

And I have some other casting news. I shall be playing aspiring Prime Minister, Charles. Moll advises me: 'Charles likes to fuck Myopia three times in a row after or before partaking of gourmet nuggets from a Fortnum & Mason hamper in bed. So, the astrologer of The Lady magazine will be involved in quite torrid love scenes. 

'It's quite all right if you get an erection, sweetheart. Keira Knightley told me that actors wear a tight body stocking for such eventualities.'

With a soundtrack based around Molly's latest poems and lyrics, Love: All will make for a fascinating addition to film festivals the worldover.

Love: All is available for £1.99 in kindle edition. Click here to buy

Monday, October 08, 2012

Sophie Parkin interview: The Colony, the stars and the sailor's cock

'Driberg also admitted to Christopher Hitchens in the Colony that he loved going into special committees in the House of Commons with semen still sticky at the corners of his mouth'

The late Sebastian Horsley at the door of his local
To order a copy of The Colony Room Club 1948-2008, visit Sophie Parkin's dedicated site, here

In 1948, Muriel Belcher founded the The Colony - the Soho private drinking den that became infamous for stellar misbehaviour over 60 years. In 2012, one of its patrons, Sophie Parkin, releases The Colony Room Club 1948-2008: A History of Bohemian Soho, which charts the secret life of a refuge that drew some of the most celebrated minds, talents and livers of the second half of the 20th Century (and Kate Moss) and tells a great many tales of unreported high jinks and debauchery. Parkin interviewed upwards of 50 surviving former Colony habitués for the book and has dug up a trove of fab photos.

Madame Arcati enjoyed a bout of intercourse with Sophie - those of a tender sensibility may want to pass on this interview...

Q: Sophie Parkin! You’ve written The Colony Room Club 1948-2008 – is anyone alive from that era who remembers anything?

SP: ‘Plenty of both I‘m glad to say,’ as Muriel said to Dan Farson when asking her about her sexual proclivities. Paul Johnson was a great interview as was the fruity and funny Sir Peregrine Worsthorne. Anne Valery (think Tenko) , Irma Kurtz - wonderful about John Hurt and Francis Bacon ('Last night I was stuck between a Ham and a Bacon') - and the definition of a bohemian bar. And once I reminded mother [Molly Parkin], a few indiscretions popped up around Tony Shaffer (playwright), Cedric Price (architect), ErnÅ‘ Goldfinger and Robert Brownjohn, the designer of the first James Bond credits; oh, and John Bryce the producer of The Avengers in his Aqua car. All very 1960s.

Shove in the whipping guardsman story concerning Victor Spinetti and the Colony couple from Hampstead and it's almost a Joan Littlewood production. Fings Ain't Wot They Used T'be – you’re telling me!

Q: ‘The Colony was a club for lushes and is best off gone. Incidence of liver cirrhosis will decline’. Discuss.

SP: Have you been to other clubs? Some of the ‘new wave' of fashionable clubs are so depressing and unfriendly you drink to forget you are there. They never organise beanos like the 'Come in Chapeau Party' 1968 to raise money for a disabled children’s Christmas party for kiddies with MS. Victor Lowndes kindly supplied the waitresses - Bunny Girls, Annie Ross and George 'wigglebum’ Melly provided the entertainment, poor kids! 

One day Jeffrey Bernard organised a trip to Ascot for the horse fanciers and got an open top double decker to stop outside whereby members got on through the first floor window. Bernard took all the bets and when the races ended mysteriously disappeared. 

The club wasn't just a place for lushes, it was for outsiders whether from the upper classes or the lower, Burroughs/Bacon/Freud or Sir Frederick Ashton, Trevor Howard, LS Lowry, Sir Robert Helpmann and Lady Rose McLaren. It was for the blossoming of great conversation whether with Keith Waterhouse; or Johnny Speight with Kate Moss as a bar maid or Daniel Craig with Joe Strummer on guitar and Todd Matshikiza on piano and Lisa Stansfield on vocals. 

Everyone played there on Sunday nights from The Hours, The Magic Numbers, Badly Drawn Boy to Alabama 3 and The View.
Ian Broad on Hampstead Heath

Q: Who’s the cunt who decided that the Club should be no more. I mean, if I Google ‘The Colony’ there is a website claiming the Colony still exists. Please explain.

SP: I don’t know why someone hasn’t taken that down. I don’t know who built it but Michael Wojas, who paid for it, has been dead for 2 years.

Perhaps it was the landlord Mr Ibrahim after Ian Board tried to strangle him; perhaps it was Michael who wanted the legend to die with him. The Colony however is less a place more a state of mind and when I open the Deal Arts Club from the huge funds of my book The Colony Room Club 1948-2008 it will transfer there. It will have to be a membership club - ordinary people on a day trip to the seaside might be offended by the full use of our language and the freedom of our thoughts.

Now, if we assume most members of the Colony were/are drunken reprobates with casually vacant genitalia, who will threaten to sue you? There's a pretty tale or two to tell. 

Foreign Correspondent Dick West swears it didn’t happen to him but that an Australian reporter went up to interview Tom Driberg MP. The Colony he thought would be a Gentlemen’s Club. He was greeted at the door by Muriel and asked to be directed to Mr Driberg, ‘He’s the one in the corner with his hand round that sailor's cock.’ Driberg liked a man in uniform. 

But he also liked a working class man - Geoffrey Wheatcroft apologised to Driberg at the Colony for putting a picture of Driberg, Lord Boothby and the Kray twins in a compromising photo in a book by his publishers. Driberg said mournfully, ‘It’s just it’ll stop me getting into clubs’. Not the Colony. As Muriel drily noted: ‘He never worried about it when Ronnie’s cock was in his mouth.’ 

Driberg also admitted to Christopher Hitchens in the Colony that he loved going into special committees in the House of Commons with semen still sticky at the corners of his mouth.

It wasn't only homosexual activity, however. Christine Keeler and Stephen Ward were often at the bar (is it true Lloyd Webber is making a musical of it all?). Paul Johnson said she was very dreary, though Ward used to like to have dog collars and leads on girls he took to pubs and he didn’t drink more than an orange juice. A decade later, Peter Langan - the famous Brasserie owner - could often be found of an afternoon delighting middle-aged ladies by crawling around the banquette and putting his head up their skirts and (as George Melly put it) 'yodelling in the canyon.'

But why did Peter choose to wear those white linen suits? The follow-through stains showed up something awful.

Q: You were a member of the Colony. Were your genitalia casually vacant? Don’t you say to your wonderful mother Moll: ‘How could you have exposed me to such a place, with all those ghastly drunks slavering over each other!’

SP: It was a wonderful place; you must be a tiny bit jealous? I am eternally grateful to both my Ma and Pa for taking me in there and I was proud to be a member but it was odd seeing people like Jude Law or Stella McCartney in there at the end.

As to my vacant or otherwise purse I shall quote Irma Kurtz, agony aunt of Cosmopolitan -“The Colony wasn’t a pick-up joint. If you fell in love or lust, that was nice, but it was beside the point. Bohemian behaviour meant that you didn’t share the same restrictions and morality. Now everybody sleeps with anybody from Hendon to Highbury. Sleeping with someone because you want to doesn’t mean anything now.” Quite.
The Colony enjoys free promo
Q: What were Muriel’s teeth like? Was she lesbotic? I think you say somewhere she was only a bit lesbotic. Ian Board was definitely lesbotic – didn’t he throw Francis Bacon out once and said he was a useless painter or something?

SP: Never. Everybody was frightened of Francis; he had such a huge presence, and a charisma bigger than Nelson’s Column. 

Muriel was known as a Portuguese Jewish lesbian from Birmingham whose parents owned the Alexandra Theatre – all total bollocks. Along with the fact that The Colony was named after her Jamaican girlfriend Carmel. Carmel, aka the Fox, wasn’t about when Mu first took over the club; it had been a club for old colonials. Paul Johnson was taken there first in 1947, pre it being Muriel’s, with Jimmy and Teddy Goldsmith - and they were on the lookout for Benzedrine – it was all the rage then. She definitely had a soft spot for pretty boys and good-looking women. Ian liked leather-clad men who would beat him.

Do you want a picture of him as a male model on Hampstead Heath? [Yes please, see above - MA]

Q: Is it true Will Self was a habitué? I believe he was particularly kind to persons behind the bar. Yet he now claims the Colony was a hideous place – didn’t he satirise it in Liver? I can’t recall the title but there was a liver in it. 

SP: I don’t know if that is satire. I know all the Private Eye lot like Peter Cook went in the Colony and he opened up The Establishment where Lenny Bruce performed in London - and Terry Southern.

I thought satire was meant to be funny? Anyway, Self was (so he tells me) in love with the barman Ben Tranin, but that’s his story to satirise or otherwise. It's strange how people's drug of choice separates them. I personally can’t stand popping pills or puffing weed or shooting up, which tends to kill many more people who do it than the percentage of people who drink and die of liver disease. He insists everyone died of cirrhosis of the liver, but Wojas was a druggy more than a drinker, and Ian’s liver was fine. Unfortunately cancer of the lungs killed him. He liked a fag.

Q: I see your book is published by you. Don’t tell me the cunts who run publishing didn’t sense a bestseller in their midst. What’s wrong with these hairy-eared swine? What were you supposed to do – re-title it ‘Harry Potter Goes Tits Up At The Colony’?

SP: Or arse up and heads down - I‘d like to have seen the book jacket in WH Smith. Actually we are publishing it ourselves because it’s the only way to make any money from publishing. Authors advances have shrunk to the size of a cock in the North Pole. And having spent 2 years of my valuable life on this precious tome I didn’t want to be paid peanuts and then see it sink from lack of proper marketing. It’s a great and glorious book not just about sex - there’s some culture in there too. As Muriel said about Peter O’Toole, if he’d been any prettier they’d have had to call it Florence of Arabia.

Q: Do you consume muesli before you write? Do you wear shades as you ply the keyboard? There are many aspiring writers out there hanging onto these bio details. 

SP: I like a nice piece of sourdough smeared with apricot jam before I set to. Would I encourage anyone else to spend 2 years on a history of the Colony? No, don’t bother - I’ve already done it, there’s nothing left to tell….

Q: Sophie, darling. You're a joy and a credit to all loose-livers, so to speak. Good luck with your glorious book.

To order a copy or two of The Colony Room Club 1948-2008: A History of Bohemian Soho by Sophie Parkin, visit her dedicated site. Click here


In a separate post, I report on the Arts Club - boasting a membership engrossed in London arts culture -  snootily declining Sophie's offer to talk about the Colony and her book - it's 'not suitable'. Click here.


Friday, October 05, 2012

The Arts Club is too good for Sophie Parkin's new Colony book!

Sophie Parkin
Shortly, author Sophie Parkin will be talking to Madame about her delicious new book, The Colony Room Club 1948-2008: A History of Bohemian Soho. Just about everyone who was anyone in British cultural life in this riotous period, and drank, appears between its covers, from Francis Bacon and Will Self to Princess Margaret and Kate Moss. 

It's the biggest, butchest, bitch book of the year, darlings.

Quite naturally, Sophie is currently raising awareness - to lapse into charity-ese - of her tome with personal appearances and talks: Sophie is, like her vivacious mother Molly, an ambulatory entertainment and orator. So, it was entirely to be expected that she would approach the legendary Arts Club in Dover Street, London, with an offer to give a talk on the Colony and her book. After all, the Arts Club "is very much a place where creative people come together to meet, exchange ideas, eat, drink, entertain and relax," to quote a line from its own website. It boasts: "The Arts Club has reclaimed its place at the heart of the contemporary cultural life in London and on the world stage."

Alas! A letter from the Club to Sophie has fallen into my hands which suggests it imagines itself well above the grizzled alpha hoi polloi who once guzzled and gossiped at the Colony. I won't reproduce the entire document or identify the Hyacinth Bucket who wrote it, but the key de haut en bas passage reads:

"Thank you for your email and the information about your Book [capitalised b as written] – this is certainly a great review of these exciting years and people..

"Unfortunately, I don’t feel it is suitable to us at The Arts Club (not the Scottish one!). Our Club has changed slightly and so have our members.

"I am sure you understand my view."

What a peculiar response from an institution which claims to "maintain a special focus on London-based artists." The Colony was all about London-based artists. Has the Arts Club turned into the kind of salon de thé one might patronise on the outskirts of Worthing?

Perhaps the real problem here is the Arts Club's "complete renovation" in 2011. "It has been completely transformed into a truly world class establishment," it reports, with pinkie out-stretched, in its History. Even better: "The interior has been designed by David D’Almada who has tastefully created a timeless ambiance juxtaposing vintage furniture with new."

Sounds gorgeous. Very P&O cruise liner.

To order a copy of Sophie Parkin's The Colony Room Club 1948-2008, click here. The title is released in December.

Friday, September 21, 2012

Barbara Hulanicki Brighton award: Spilt fizz, Biba shoplifters and a Sun ritual

Barbara Hulanicki
Yesterday, Barbara Hulanicki OBE RDI was bestowed the Honorary Doctor of Arts by the University of Brighton. The heavens signalled their approval when the Biba legend, in Avengers-style black, collided with a waitress serving drinks just before the award: champagne scattered and fizzed in a divine blessing on the carpet of the decadent Royal Pavilion's Red Drawing Room. Nothing like a huge wet stain to remind of mortality. The spill was mopped up as condoling giggles seeped into George IV's perfectly hideous red-dragon wallpaper. An anecdote born. 

Permanent fiancee Molly Parkin (a close friend of Barbara's) and I sat in the front row. Before the early evening award conferment, and reception and tour of the Biba exhibition ('Biba and Beyond: Barbara Hulanicki'), Molly and I had planned to meet at Brighton's Grand for a catch-up. Sadly, the cunting Liberal Democrats put paid to that. Ahead of their pointless conference starting this weekend, cops had cordoned off the hotel - policing costs for this event will be a ruinous £2.1m in a time of 'austerity'.

So Moll and I retired to the delightful, faintly louche Metropole. We sat outside and gazed over the traffic towards the gnarled ruins of the West Pier - a monument to civic criminality. At one point Moll, in glittery red turban, stood up, looked up and addressed the cloud-dimmed Sun with arms outstretched, beseeching its help in a certain matter. Normally, she prays to the Moon, most effectively. But the Sun is a good proxy for the granting of wishes.

Brighton honoured Barbara because it was here she studied fashion in the 60s. She may be one of the most influential style icons of our time, yet she spent a lot of her formative years in the town (now a city) watching movies. Fellow Brighton student Moll had no truck with the likes of Barbara in those days - 'We were art students and we didn't talk to fashion students,' she says over four black straws standing in two tall glasses of ginger beer and ginger ale, much ice and lemon. 'They wore beige and were commercial.' 

Nonetheless, events forged a wonderful personal alliance later - and Moll became very much part of the Biba experience, designing, for example, the 'Mollies' - wide-brimmed hats, sold at the old Derry & Toms store in South Ken.

Later, at the Brighton Museum & Art Gallery reception, I bumped into a talkative woman called Sue. 'I was a Biba store detective,' she tells me. 'I arrested loads of people every week. The job made me very crafty and observant, and I could blend in with crowds so shoplifters couldn't see me watching them.' The underbelly of Biba! The dark shadow of a store whose Rainbow Restaurant drew the Mick Jaggers and David Bowies! I like Sue, a trained nurse. Without the likes of her, capitalism would soon turn soup kitchen.

We walked upstairs to the Biba exhibition, which starts Sept 22 and runs through to April 14 next year. A bit cramped, but I liked the wall works - period model photos, headphones to listen to video Barbara, images of swirly-curly neo-arty deco things on cups and such-like. Frocks and hats centrally placed; what a palaver. We traipsed worshipfully now we're all atheists. A girl in the 1964 Biba pink gingham dress - a huge hit after the Mirror noticed it - didn't want to mislead the naive: 'The dress is a reproduction,' she smiled threw lovely teeth.


And speaking of the Mirror, who should we bump into but fabled Felicity Green, the sharp-witted octogenarian on a stick who was once that paper's women's editor and became the first female appointment to a newspaper board (and advised the Express, Telegraph and other publications). It was thanks to her that Biba, Quant and others enjoyed wide tabloid coverage and helped restyle the masses. She seemed a bit crabby because she couldn't find the chauffeur. This is not a woman I would cross lightly.

Into the night we strolled. And a group of us bitched about people we'd met.

Tuesday, September 11, 2012

The Colony Room bio! If you're any kind of cunty, buy now

I never had the pleasure of being called 'cunty' by Soho's Colony Room founder and proprietor Muriel Belcher. Some people have all the luck. So, I'll have to settle for second best.

Sophie Parkin's chronicle of the high culture boozing parlour, The Colony Club 1948-2008: A History of Bohemian Soho, is due out on 10 December 2012 - and she's declared open a dedicated website where you can find more book details - click here.

The book is a huge collaboration involving a great many of the former habitués of the establishment. Memories, conversations, goss, names - they're all here. Francis Bacon, Dylan Thomas, Tracey Emin, Princess Margaret, Molly Parkin, Lucian Freud, Jeffrey Bernard, Peter O'Toole, Kate Moss (barmaid), Christopher Hitchens, Will Self and so many other super-luminaries of stage, screen, canvas and piss contributed to the Colony legend.

Sophie is the ideal biographer. Quite possibly (or not), she trod on the dew of the vomit that Dylan Thomas projected onto the Colony carpet: she absorbed the soul of the place as a hereditary bon viveuse at her mother's knee, and for decades thereafter. Just how many of the ex-Colonists will still be talking to her post-publication?

Three editions of the title are available: Collectors, Limited and Standard (the last priced currently at £30). Without giving too much away, the Collectors and Limited editions comprise artists' prints which alone are worth the investment. Never-seen-before photographs grace all three. If nothing else, think Flog It!

Visit The Colony Room website as soon as and secure your copy - aside from my personal horoscopes, what better Christmas present is imaginable (to oneself)?

PS: For a flavour of the Colony, do read my post on writer Duncan Fallowell and the night he took off with Muriel Belcher's crutches. Be warned: the piece is illustrated by a nude photo of Duncan, cock and all. Click here.

Francis Bacon at the Colony, video

Monday, September 10, 2012

Barbara Hulanicki - 'Fashion today is so boring'

Further to my last post on the Barbara Hulanicki/Biba Brighton exhibition later this month, here's an excellent documentary interview with the fashion legend, created by Jo-ann Fortune for Visit Brighton. Unusually, she opens up and talks about early motivation (to be independent; not to have a life like her mother's), creating black nappies for her baby son ('rebellious') and how fashion today is 'so boring... it needs to be cleaned out'. I love her sci-fi jacket. Pure Doctor Who villain.

Tuesday, August 28, 2012

Barbara Hulanicki: The Brighton Biba show, and Hurricane Isaac

Barbara Hulanicki.
Visit her website here
I do hope that Miami resident Barbara Hulanicki survived Hurricane Isaac - I hear a rumour she bravely stayed at home despite attempts to shoe-horn her out to safer climes, while other ever-greens outside (OK, trees) gave their best Exorcist impressions. She'd better have survived because she's scheduled to head to Britain shortly for the 'Biba and Beyond: Barbara Hulanicki' exhibition in Brighton, which starts September 22 and runs through to April 14, 2013. Details here.

In the 60s Hulanicki founded the seminal Biba store which helped revolutionise fashion and style. By the mid-70s, what had started as a mail-order business had metamorphosed into a vast departmental store in the old Derry & Toms building in South Ken, drawing a million 'post-war baby' shoppers a week, as well as stalwart style queens like David Bowie, Mick Jagger and Marianne Faithful. 

Biba: The Musical (2009) gives an endearing flavour of Biba-world, even if not countenanced by her - watch the video below. Hulanicki explains how the past inspired her creative work in this fascinating 'My V&A' video, here.

I've had the pleasure of meeting Barbara on two occasions - at the launch of a film about her at Kensington Roof Gardens and then at Molly Parkin's 80th at the Chelsea Arts Club in February. Behind her huge shades she's quite an enigma - I was quite convinced she's Scorpio; but Google says Sagittarius. 

Incidentally, she is not connected to the reincarnated Biba; and now designs for, among others, George, Asda - click here to see her collections.