Tim Jonze, who interviewed Morrissey for the NME's current issue, has commented on the resultant controversy and threatened lawsuit against the mag. He is full of surprises. It had been assumed that that the letter he sent to Moz’s manager Merck Mercuriadis, distancing himself from NME’s “re-writing“ of his off-Q’n’A text, was written because he felt the magazine was heavy-handedly hostile to the singer’s perceived immigration views: the friendly tone of the letter led one to think that. Jonze now claims his text had to be toned down because he thought Moz sounded like Enoch Powell or the BNP.
He adds: "The piece was very critical and NME decided to tone it down, something I didn't agree with. They showed me several rewritten versions, some of which were very soft on Morrissey, one that was quite critical. None had any of my points or arguments in them and none of them were written in my voice. Furthermore, I hadn't even seen the finished version before it went to print (I still haven't seen it, as I'm currently writing this from the surreal surroundings of a beach internet cafe in Thailand). For these reasons, the byline was removed."
But, Tim, your byline is still on the piece – at least it is on my copy. Are we still talking about the NME?
I’m finding this all very odd. Why was his letter to Mercuriadis so crawly? Read Jonze’s piece for yourself, click here.